I moved this past Saturday. Unlike all the moves I've done before, to and from college, this move was particularly special. I moved into my own place. A place that I pay for with my own money, without help from anyone else. This is a big deal for a number of reasons. For me, it means insurmountable increases in independence that had be lost since moving home after graduation. It means learning about unclogging toilets, hammering nails, painting walls and calling Pepco when our power is out. And it means that never again in my life is my parents' home "my home." I will, in all likelihood, never again live with my parents for longer than a week.
And that, in so many ways, is incredibly bittersweet.
I could go into all the sappiness about how I feel about being left to my own accord with rent payments and such, but that's not really what this post is about. What it's about is all the stuff that I found when I started packing up the bedroom I've occupied since I was 8 years old.
We moved to the house we live in now the summer after I was in fourth grade. I think this is significant because I feel like the age of 8 is sort of when, developmentally, you start to have things that are significant to you on a new level. Sure when you're little you have your pacifier, or your special blankie, or pilly if you're my cousin Melanie, but I think after about fourth grade, you start to have things that you collect that are significant because of things that happened to you.
Now, I'm not a scrap-booker. I never have been, and I sort of never want to be. But I do save things. Most of them end up on bulletin boards or in boxes. My anti-scrapbooking mentality has nothing to do with any lack of creativity, it has more to do with a lack of time and a desire to allow the objects and things that I save to speak for themselves. I've always felt like I was a photo/memory minimalist. Let it stand for itself. No frills, lace or goofy catch-phrases needed.
Now, let me clarify. I am, by no means, a hoarder, a pack-rat or anything else along those lines. Things that I save are things that would normally go into a scrapbook, like a Charlie card from a visit to Boston. A button from a march in DC. A drawing a friend gave me in seventh grade. Random things that hold value and importance to me.
So this past week, as I was packing up, I started uncovering the stuff. The bits and pieces of my life that I'd saved for who knows what reason. The cool thing is that most of the stuff, I could tell you right away where it came from.
But then came the hard part: I had to get rid of it. It couldn't come with me to my little apartment, and at some point, my mom would want "my room" back to use for something else. It'll all have to go eventually.
I had to physically throw away the odds and ends, trinkets and stubs, of my childhood and adolescence. And the weirdest part of it all was that for the most part, I was OK with it. There were some things I kept, just because they were very, very significant. But most things ended up in the trash bin with the old pair of flip flops, the broken picture frame and the other refuse that had been collecting dust in my room since the 1990s.
I'm sure there are somethings I'll never be OK with tossing, and I think that's normal.
Showing posts with label memories. Show all posts
Showing posts with label memories. Show all posts
Tuesday, September 1, 2009
Monday, July 20, 2009
connectivity.
I'm becoming more and more convinced as I get older that everything is connected, that there will be things in your life that never seem to leave or disappear all the way.
My mom and our family friend Karen and I went to the 50th Anniversary Barbie convention the weekend before last. Yeah, I know ... but my aunt makes reproduction historically accurate gowns for the dolls (her work is some of the best there, if you ask me) and the convention was in D.C., so we went. It was an experience, to say the least, but the best part was the memories it evoked. More than once Karen or my mom would burst with joy at the sight of a doll they'd forgotten they had, or would begin to tell a story about a pair of shoes, a wig set or cutting Barbie's hair.
I was astonished by how few of my Barbies they had. In fact, they didn't have any of the ones I had -- perhaps they're not old enough yet. My Aladdin and Jasmin dolls, my skater Midge and Barbie, my Kelly dolls -- they're just not "vintage" enough yet. As I walked through the tables, I wanted some sort of a jolt of recognition, something from my childhood that I'd forgotten, something that I'd loved and then given up along with the American Girl dolls, Polly Pockets and My Little Ponies. But it didn't come, at least not until the very end.
And then, on a table, there it was, my Barbie poodle. Yes. I had a poodle. He was white (I'm assuming it's a "he" even though there were no anatomical indicators) with legs that bent at the shoulder and hip joints. Matted white "fur" with floppy white ears and white, hard plastic feet and face. He was my dog! I had him! And I had completely forgotten about him. He's sitting in an enormous plastic container in my parents' basement. I'd loved him.
Moments like that one are so bizarre, and they remind us of how strange memory is. How we can be such good friends with someone and then five years later we can still remember the name of their cat, but their name escapes us. We can find our way to their house, or remember their phone number, but their birthday is gone. We can be so invested and yet something happens and the dustbuster in our brains turns on and starts to make space, eliminating somethings and keeping the others, forging hair-thin links between that stuff and other stuff so we can someday access that bit of information in our seemingly infinite rolodex.
I'm thinking about all of this because I've realized that these links don't actually matter unless we pay attention to them. Like anything else, if you ignore it, it might as well just not be there. As I was updating some contact information today for one of IPM's donors, I had a moment's flash of recognition with the organization she works for: The Global Fund to Fight AIDS, Tuberculosis and Malaria.
It was one of those moments that's similar to trying to remember the movie a favorite quote comes from. Or the lyric to a song where you can only remember the tune -- why did I know this organization!? I've been working with organizations with names like that since I started at IPM. I've even seen that name before, so why was it sparking something now? I don't suppose I'll ever know. But then I realized it -- I know them because of the Corcoran. I worked with them last summer.
The Global Fund partnered with Magnum Photography last summer to produce an exhibition called "Access to Life" that would originate at the Corcoran. I wrote the press release for the show. I stuffed hundreds of press folders for the show. I met people from the Global Fund at the show. Light bulb!
So, I don't really know what it all means or if there really is any significance that it's all connected. But I find it really bizarre how one thing has taken me to the next. How everything seems to be related, whether or not it really is, I guess that remains to be seen. But still, it's these little flashes or recognition, these moments of connectivity, that really surprise and startle me into questioning how many of these moments we miss.
My mom and our family friend Karen and I went to the 50th Anniversary Barbie convention the weekend before last. Yeah, I know ... but my aunt makes reproduction historically accurate gowns for the dolls (her work is some of the best there, if you ask me) and the convention was in D.C., so we went. It was an experience, to say the least, but the best part was the memories it evoked. More than once Karen or my mom would burst with joy at the sight of a doll they'd forgotten they had, or would begin to tell a story about a pair of shoes, a wig set or cutting Barbie's hair.
I was astonished by how few of my Barbies they had. In fact, they didn't have any of the ones I had -- perhaps they're not old enough yet. My Aladdin and Jasmin dolls, my skater Midge and Barbie, my Kelly dolls -- they're just not "vintage" enough yet. As I walked through the tables, I wanted some sort of a jolt of recognition, something from my childhood that I'd forgotten, something that I'd loved and then given up along with the American Girl dolls, Polly Pockets and My Little Ponies. But it didn't come, at least not until the very end.
And then, on a table, there it was, my Barbie poodle. Yes. I had a poodle. He was white (I'm assuming it's a "he" even though there were no anatomical indicators) with legs that bent at the shoulder and hip joints. Matted white "fur" with floppy white ears and white, hard plastic feet and face. He was my dog! I had him! And I had completely forgotten about him. He's sitting in an enormous plastic container in my parents' basement. I'd loved him.
Moments like that one are so bizarre, and they remind us of how strange memory is. How we can be such good friends with someone and then five years later we can still remember the name of their cat, but their name escapes us. We can find our way to their house, or remember their phone number, but their birthday is gone. We can be so invested and yet something happens and the dustbuster in our brains turns on and starts to make space, eliminating somethings and keeping the others, forging hair-thin links between that stuff and other stuff so we can someday access that bit of information in our seemingly infinite rolodex.
I'm thinking about all of this because I've realized that these links don't actually matter unless we pay attention to them. Like anything else, if you ignore it, it might as well just not be there. As I was updating some contact information today for one of IPM's donors, I had a moment's flash of recognition with the organization she works for: The Global Fund to Fight AIDS, Tuberculosis and Malaria.
It was one of those moments that's similar to trying to remember the movie a favorite quote comes from. Or the lyric to a song where you can only remember the tune -- why did I know this organization!? I've been working with organizations with names like that since I started at IPM. I've even seen that name before, so why was it sparking something now? I don't suppose I'll ever know. But then I realized it -- I know them because of the Corcoran. I worked with them last summer.
The Global Fund partnered with Magnum Photography last summer to produce an exhibition called "Access to Life" that would originate at the Corcoran. I wrote the press release for the show. I stuffed hundreds of press folders for the show. I met people from the Global Fund at the show. Light bulb!
So, I don't really know what it all means or if there really is any significance that it's all connected. But I find it really bizarre how one thing has taken me to the next. How everything seems to be related, whether or not it really is, I guess that remains to be seen. But still, it's these little flashes or recognition, these moments of connectivity, that really surprise and startle me into questioning how many of these moments we miss.
Wednesday, March 4, 2009
changing hands.
It was in a baggie in a box for more than 50 years.
Stars and stripes mingling with mothballs and cedar smells.
Covered by blankets and keepsakes, sweaters and nightgowns.
Forgotten at the bottom of the box.
She rescued the cloth, placing it in another box, this one with a window, so we could see the pride in the colors.
The cloth of a war long gone, for a man long dead.
It had sat draped on top of his box, covering his body,
that he bore to foreign lands to save us all.
Folded by warriors and into another's hands it had gone,
And then into the bag,
Into the box,
For more than 50 years.
Until we brought it out.
Unrolled, not unfurled.
To see the sun and feel the wind, but never again to blow in it.
We unrolled to count the holes and the stars,
48 stars in all, more holes.
Passed to another's hands and onto another box, covering another body
that was carried all over the earth.
Another warrior.
More lands seen by those closed eyes,
More stories told,
Wars fought,
Children loved,
Life lived.
It covered this body and then passed hands again,
Folded again in the spring warmth.
Folded with painstaking care and presented to a son, uncle, father, brother, grandpa.
48 stars in all, more holes.
To go onto a mantle, as far from a box as possible.
For how long?
Until another box is needed.
Or until the holes consume it.
Stars and stripes mingling with mothballs and cedar smells.
Covered by blankets and keepsakes, sweaters and nightgowns.
Forgotten at the bottom of the box.
She rescued the cloth, placing it in another box, this one with a window, so we could see the pride in the colors.
The cloth of a war long gone, for a man long dead.
It had sat draped on top of his box, covering his body,
that he bore to foreign lands to save us all.
Folded by warriors and into another's hands it had gone,
And then into the bag,
Into the box,
For more than 50 years.
Until we brought it out.
Unrolled, not unfurled.
To see the sun and feel the wind, but never again to blow in it.
We unrolled to count the holes and the stars,
48 stars in all, more holes.
Passed to another's hands and onto another box, covering another body
that was carried all over the earth.
Another warrior.
More lands seen by those closed eyes,
More stories told,
Wars fought,
Children loved,
Life lived.
It covered this body and then passed hands again,
Folded again in the spring warmth.
Folded with painstaking care and presented to a son, uncle, father, brother, grandpa.
48 stars in all, more holes.
To go onto a mantle, as far from a box as possible.
For how long?
Until another box is needed.
Or until the holes consume it.
Tuesday, February 10, 2009
i hate winnepeg
I've recently rekindled a friendship with an ex-boyfriend. He was a very big part of my life for about four years, he was my everything. He was with me through many firsts, through most of college and was my best friend through ups and downs and everything in between.
When things dissolved between us, as things eventually do with high school to college romances, there was a void in my life that I couldn't fill. I had a new guy, a new life and a new perspective, but I missed him. When we were both finally to a point where our friendship could resume, I think both of us felt that troublesome void finally ebb, finally feel a little less empty. He's my friend again, and I'm so very glad he's in my life.
But this isn't really about him specifically, well it is, but isn't at the same time. You see, he was always really into music. Always providing me with new material for my auditory discoveries. He's since changed a little, as we all do, and the relationship is a little reversed now. He taught me to love music, to want to hear more, to find more that I loved -- never question, just enjoy.
But a few weeks ago, he gave me the name of a song, One Great City! by a band called the Weakerthans. I pulled up YouTube to listen, and I was surprised when I knew the song. I'd heard it before. Another guy, one not too long ago, had played it for me on his guitar. I'd lay there on his couch listening, quietly smiling at how cute he was, and how odd the lyrics were. The song was one I hadn't known, and I had asked who it was by, fully intending to look it up when I'd left and gone back to my other life, hundreds of miles away from him.
As I sat at my computer, all of a sudden my worlds collided, and I realized in that moment, listening to this beautifully written song about the monotony of life and the artful grace in its quirks, that everything is connected. That no matter how much I like to think I know myself, things like this moment throw me for a loop. I realized that everything builds on everything else, that as much control as I think I have -- there's another factor. These men were connected, not only through a love of this song, (I've always had a "type," and sometimes it's more obvious than others...) but through me and who I am.
I've always been one to believe that every person who comes into your life leaves a mark and changes you. It may not be a profound change, but it's there.
It amazes me how music, like smells, are incredible memory triggers. Even now as I write this, I'm listening to this song, singing along to its lyrics about a grungy city in Canada, I'm transported briefly to his couch in Massachusetts, then memories start to mingle, I'm in Iowa, in the car surrounded by snow. In the field under the tree...
When things dissolved between us, as things eventually do with high school to college romances, there was a void in my life that I couldn't fill. I had a new guy, a new life and a new perspective, but I missed him. When we were both finally to a point where our friendship could resume, I think both of us felt that troublesome void finally ebb, finally feel a little less empty. He's my friend again, and I'm so very glad he's in my life.
But this isn't really about him specifically, well it is, but isn't at the same time. You see, he was always really into music. Always providing me with new material for my auditory discoveries. He's since changed a little, as we all do, and the relationship is a little reversed now. He taught me to love music, to want to hear more, to find more that I loved -- never question, just enjoy.
But a few weeks ago, he gave me the name of a song, One Great City! by a band called the Weakerthans. I pulled up YouTube to listen, and I was surprised when I knew the song. I'd heard it before. Another guy, one not too long ago, had played it for me on his guitar. I'd lay there on his couch listening, quietly smiling at how cute he was, and how odd the lyrics were. The song was one I hadn't known, and I had asked who it was by, fully intending to look it up when I'd left and gone back to my other life, hundreds of miles away from him.
As I sat at my computer, all of a sudden my worlds collided, and I realized in that moment, listening to this beautifully written song about the monotony of life and the artful grace in its quirks, that everything is connected. That no matter how much I like to think I know myself, things like this moment throw me for a loop. I realized that everything builds on everything else, that as much control as I think I have -- there's another factor. These men were connected, not only through a love of this song, (I've always had a "type," and sometimes it's more obvious than others...) but through me and who I am.
I've always been one to believe that every person who comes into your life leaves a mark and changes you. It may not be a profound change, but it's there.
It amazes me how music, like smells, are incredible memory triggers. Even now as I write this, I'm listening to this song, singing along to its lyrics about a grungy city in Canada, I'm transported briefly to his couch in Massachusetts, then memories start to mingle, I'm in Iowa, in the car surrounded by snow. In the field under the tree...
Sunday, December 7, 2008
paper towels
Last night I was reminded of this story, and I just wanted to share:
We roadtripped for 10 days. We drove for more than 3,000 miles, from North Carolina, to Tennessee, Arkansas, Texas, Louisiana, Alabama, Florida, Georgia, South Carolina and back. Ten days in the car, just the two of us. We did a lot of talking, even more singing and we developed a case of kleptomania.
I've always been one to take the soaps and shampoo, pens and lotions from hotel rooms. I would never take towels or things of real value, but for some reason, I've forever felt entitled to the things that they would replace anyway if I hadn't taken them -- might as well put it to good use, I say. Waste not, want not, I say. He made fun of me a little that first morning in the hotel when I stuffed the lotion into my purse.
But then we went to the Peabody Hotel in Memphis, just to take a look at the ducks. The hotel is gorgeous, mission style furniture, stained glass, dark wood, marble floors and white flower arrangements. We each went to the bathroom. They're beautiful. Granite countertops, gold fixtures and these glorious luxury paper towels. We each walked out with three. They went promptly into the glove box. Only to be used in emergencies. These things are way too nice for just runny noses and random McDonald's spills. These are our special towels. And so begins our obsession.
Further into our trip, we're in Charleston. We stop to pee in a hotel after a day wandering around what has become one of our favorite cities. We come out of the bathroom, and walk out of the hotel. He takes my hand as we cross the street, walking his fingers up my right arm to my purse. Finding the zipper, he opens the bag and slyly shoves luxury hotel bathroom towels into my purse. "Who are you?" I ask. I've turned him into a towel snatcher.
Our trip ended and we'd filled the glove box with towels. Memorabilia from the multiplicity of nice hotels we'd peed in, but never slept at.
Two months later, we're in Boston saying goodbye. We had walked all day, through the public gardens and the common, lunch in Fanuiel Hall, dinner on Newbury Street and now it was time to pee. We stopped at a hotel a few blocks from Fenway. It was beautiful.
Marble. Dark-stained hardwood. Flower arrangements larger than the wingback chairs in my parents' house. The kind of place with nice paper towels.
I smile to the doorman as we walk by. He knows our purpose, but doesn't hesitate. We're two good looking 20-somethings, harmless and handsome. Holding hands as we walk in. We're blending. We're fitting in. We belong here. Hell, we go to Elon, half of my 9:25 a.m. Media History class has probably stayed here, so who's to say we couldn't be guests?
The bathroom is spectacular as I expected. I pee, walk to the beautiful Corian countertop to wash my hands. And there they are. The lux towels. They're perfect, thick paper towels that are so nice they feel like cloth. They're Peabody towels, but from Boston. I should grab some. No. No. I shouldn't do it. I can't, we've moved passed our spring break kleptomania.
After some mental sommersaults, I walk out of the bathroom empty handed. He takes my hand and we walk back out, fitting in as before, past the doorman and on to the street.
"Did you take the towels?" I asked once we were about half a block down the street.
"What? Of course not," he turns, his smile lighting up as he reaches to the big pocket on his khaki cargo shorts, which now, I notice, is bulging with four paper towels.
We roadtripped for 10 days. We drove for more than 3,000 miles, from North Carolina, to Tennessee, Arkansas, Texas, Louisiana, Alabama, Florida, Georgia, South Carolina and back. Ten days in the car, just the two of us. We did a lot of talking, even more singing and we developed a case of kleptomania.
I've always been one to take the soaps and shampoo, pens and lotions from hotel rooms. I would never take towels or things of real value, but for some reason, I've forever felt entitled to the things that they would replace anyway if I hadn't taken them -- might as well put it to good use, I say. Waste not, want not, I say. He made fun of me a little that first morning in the hotel when I stuffed the lotion into my purse.
But then we went to the Peabody Hotel in Memphis, just to take a look at the ducks. The hotel is gorgeous, mission style furniture, stained glass, dark wood, marble floors and white flower arrangements. We each went to the bathroom. They're beautiful. Granite countertops, gold fixtures and these glorious luxury paper towels. We each walked out with three. They went promptly into the glove box. Only to be used in emergencies. These things are way too nice for just runny noses and random McDonald's spills. These are our special towels. And so begins our obsession.
Further into our trip, we're in Charleston. We stop to pee in a hotel after a day wandering around what has become one of our favorite cities. We come out of the bathroom, and walk out of the hotel. He takes my hand as we cross the street, walking his fingers up my right arm to my purse. Finding the zipper, he opens the bag and slyly shoves luxury hotel bathroom towels into my purse. "Who are you?" I ask. I've turned him into a towel snatcher.
Our trip ended and we'd filled the glove box with towels. Memorabilia from the multiplicity of nice hotels we'd peed in, but never slept at.
Two months later, we're in Boston saying goodbye. We had walked all day, through the public gardens and the common, lunch in Fanuiel Hall, dinner on Newbury Street and now it was time to pee. We stopped at a hotel a few blocks from Fenway. It was beautiful.
Marble. Dark-stained hardwood. Flower arrangements larger than the wingback chairs in my parents' house. The kind of place with nice paper towels.
I smile to the doorman as we walk by. He knows our purpose, but doesn't hesitate. We're two good looking 20-somethings, harmless and handsome. Holding hands as we walk in. We're blending. We're fitting in. We belong here. Hell, we go to Elon, half of my 9:25 a.m. Media History class has probably stayed here, so who's to say we couldn't be guests?
The bathroom is spectacular as I expected. I pee, walk to the beautiful Corian countertop to wash my hands. And there they are. The lux towels. They're perfect, thick paper towels that are so nice they feel like cloth. They're Peabody towels, but from Boston. I should grab some. No. No. I shouldn't do it. I can't, we've moved passed our spring break kleptomania.
After some mental sommersaults, I walk out of the bathroom empty handed. He takes my hand and we walk back out, fitting in as before, past the doorman and on to the street.
"Did you take the towels?" I asked once we were about half a block down the street.
"What? Of course not," he turns, his smile lighting up as he reaches to the big pocket on his khaki cargo shorts, which now, I notice, is bulging with four paper towels.
Friday, October 3, 2008
looking back
I was reading one of my friend Bryan's blog entries today, it's about memory and change. And it got me thinking about how different my life is from a year ago. So much has changed, so much growth. It got me thinking about the fluidity of life, and whether or not this supposedly linear idea of time is truly true at all.
Bryan's blog entry (I suggest you read his blog in its entirety, because it's awesome) was about memories from a year ago, it was about change and love and how we remember things. Perhaps it's because I'm in phase of life where things are about to change big time, but I've been thinking a lot about people, relationships and life in general a lot lately.
At this time last year, to the day, my grandmother died. That feels like a lifetime ago, but I still remember details of my brother and I walking out of the wake, him ready to be in tears, but already at 13 unable to shed them because he wanted to be a man for Mama. I still remember talking to Nick on the phone, crying and feeling like he didn't understand, and holding my cousin Elsie, 2 years old at the time, and wanting to cry for her because she will never know our perfect grandmother. Perhaps sadness is something we try to distance ourselves from more because it's so painful, but I haven't thought of these memories for a whole year. I've put them away because they're sad, because even as I write them I start to cry.
I wrote a while ago that I don't like to relive the bad, that I hang on to it but choose not to revisit those things that bring back anger, frustration and bitterness. But as I dig back into the memories of Grandma's death, I realized that there's a lot of catharsis in coming back to things that hurt. There's a lot of wisdom in perspective. So maybe it's not so bad after all.
A year later, my life has taken a few turns. I've had a few guys, a few big decisions and a new direction for my career goals.
Most people measure a year from January to January, but why not measure from October to October? Or big decision to big decision? This year has been a year of change for me, and a year of learning to trust myself and take for myself what I want. I've always thought of myself as one who only likes to move forward, but more and more I'm starting to see that looking backward has it's importance too.
Bryan's blog entry (I suggest you read his blog in its entirety, because it's awesome) was about memories from a year ago, it was about change and love and how we remember things. Perhaps it's because I'm in phase of life where things are about to change big time, but I've been thinking a lot about people, relationships and life in general a lot lately.
At this time last year, to the day, my grandmother died. That feels like a lifetime ago, but I still remember details of my brother and I walking out of the wake, him ready to be in tears, but already at 13 unable to shed them because he wanted to be a man for Mama. I still remember talking to Nick on the phone, crying and feeling like he didn't understand, and holding my cousin Elsie, 2 years old at the time, and wanting to cry for her because she will never know our perfect grandmother. Perhaps sadness is something we try to distance ourselves from more because it's so painful, but I haven't thought of these memories for a whole year. I've put them away because they're sad, because even as I write them I start to cry.
I wrote a while ago that I don't like to relive the bad, that I hang on to it but choose not to revisit those things that bring back anger, frustration and bitterness. But as I dig back into the memories of Grandma's death, I realized that there's a lot of catharsis in coming back to things that hurt. There's a lot of wisdom in perspective. So maybe it's not so bad after all.
A year later, my life has taken a few turns. I've had a few guys, a few big decisions and a new direction for my career goals.
Most people measure a year from January to January, but why not measure from October to October? Or big decision to big decision? This year has been a year of change for me, and a year of learning to trust myself and take for myself what I want. I've always thought of myself as one who only likes to move forward, but more and more I'm starting to see that looking backward has it's importance too.
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